underwater Photo Course :: (7) Advanced Techniques :: Mastering Equipment :: Using Underwater Strobes :: Multiple Strobes
                                
                                
                                    
                                        
                                            Multiple Strobes
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One solution to the shadow problem caused by single 
strobes that has become popular in recent years is to mount two strobes on camera. 
With two strobes one should be the principal light source and the other used for 
fill in order to avoid double shadows. It is therefore desirable to have one 
strobe more powerful than the other is and use the lesser-powered unit for 
filla second flashgun should be used to fill-in the shadows caused by the main strobe and should therefore be less powerful 
 The use of multiple strobes can be considered for 
a couple of reasons. It is true that the main benefit is to reduce harsh shadows but, 
as a by-product, you are also able to increase your exposureRecording light onto photo sensitive devices and materials by a stop, and get 
wider-angle coverage. 
 
It is worth pointing out that, because of the inverse square lawThe quantity of light falling on a subject is inversely proportional to the square of the distance from the source, 
 in order to gain an extra F-stopStandard unit of exposure. A means of expressing the illuminating power of a lens regardless of its focal length. you must double the number of 
strobes (so to gain a stop more than two strobes will give you requires four, 
eight if you want another!) This is clearly impractical. To calculate the 
combined guide numberA number used to represent the illuminating power of a photographic flash for comparison of efficiency with other flash units. for two (identical) strobes multiply the individual guide 
number by 1.4. 
Dual Strobes
Using two  strobes is extremely popular and a natural 
progression. Once again the photographers who do best on manual do best with two strobes! 
The basic principle is that one strobe will always 'win' through being more 
powerful or closest to the subject. We call this the key 
light and try to balance the second strobe, which we call the fill light with it. The degree of fill determines the 
lighting ratio. 
 A very pleasing 
ratio is achieved when the fill strobe is between one to two stops under the key 
light. This just adds contrastthe difference in desity between parts of an image. High contrast for example denotes larger differences with blacker blacks and whiter whites. to the shadows without destroying them. You 
should select a strobe of appropriately lesser power, or set to half or quarter 
power. 
You don't really need your fill strobe to be TTLThrough The Lens. A term applied to viewfinders and metering systems that operate behind the lens. As such TTL is accurate because it sees what the lens sees.. A 
second, slave type flash can be used provided you make sure it is less powerful 
than the main strobe and you use an apertureThe variable diameter hole used to control the amount of light passing through a lens. guaranteed to make your TTL main 
strobe fire at near to full output.  
With two strobes you risk lighting up the suspended 
particles in the water from two directions, so you might imagine that multiple 
strobes increase problems in that respect. In practice backscatterBackscatter is light reflected from suspended particles in the water a problem in underwater flash photography caused by having the flash too close to the camera lens. is usually 
reduced.  
With two strobes you also have twice as many aiming 
problems however. Be aware of accidentally creating 'hot spots' where coverage 
overlaps.  
 On a limited budget, the purchase of a second strobe 
should seriously be considered a priority to buying a second camera, as it gives 
a better return in terms of making a difference to picture quality. You can't 
use two cameras simultaneously - but you can two strobes! 
One thing is certain - you will not win competitions 
with on camera flash, whether you use one, or two; and surely a more artistic 
way to use two or more flashguns is to point them in different directions! 
Selectively highlighting areas, preferably with subtlety, can transform an 
otherwise dull shot.  
Stephen Frink on Dual Strobes 
                                 
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